All The Things I’ll Bury explores burial and decay through a collection of funerary objects. The sculptures serve as documentary evidence of loss, capturing the ambiguous space between corpse and garbage. They question how we assign meaning to forms that exist beyond intimacy or utility—objects that shift between relics, bodies, and waste, sitting at the edge of significance. A rotting papaya and the corpse of an armadillo draw parallels between the scent of fruit softening in the Florida sun and the smell of a decaying body. That connection is emphasized in the thick, fleshy texture of the fruit’s pulp, mimicing bodily decomposition.